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One knows a film is working when the characters from the story linger even after the film is over. One has a perchance for creating trouble; the other's first instinct is to run away. Together, these two year-olds are chaotic, hilarious and adamant about having a better life away from their homes. Will they succeed? That's everything you know to accompany these two on a delightful and breezy road trip in the south of Tunisia.
Also read: Sabar Bonda review: First-ever Marathi film at Sundance is a tender, deeply moving study of queer love in rural India. Alyssa Eya Bellagha is tired of having to constantly take care of her ill mother and little sister.
She wants to go out of her hometown and do something better with her life, a feeling most year-olds can fathom. She finds the perfect opportunity when she stumbles upon an art competition that offers the winning artist a trip out of Tunisia.
Alyssa doesn't draw but her friend Mehdi Slim Baccar can, extremely well. Although he has a degree in Computer Science, his real passion lies in the arts. Alyssa convinces Mehdi to give this art contest a chance, and if they win, she can be his wife, and the rest can be sorted out on the way. A post shared by Films Boutique filmsboutique. But how will they reach the contest? Who will give them the car? How will they manage so much money? Alyssa has an answer to each question Mehdi asks, even if that means getting both of them into trouble.
Once they set off, the film takes shape, asserting its tone with more care. For all the anticipation of how this will turn out for the both of them, Amel Guellaty's intelligent script never takes the familiar romantic beats. The writing is devoid of easy sentimentality and provides space for these two young people to connect and have fun. Guellaty, who has also edited the film, maintains an easy rhythm in the scenes, where the viewer is also aware of Alyssa and Mehdi's internal growth along the way.