While her theory of the matrixial gaze has been widely received in art and academia, and her works are collected and discussed internationally, BRACHA first attracted widespread attention in Germany after she resigned from the selection committee for the artistic direction of documenta 16โin part because the daughter of Holocaust survivors had not felt able to exhibit in Germany for forty years. Almost ten years on from the exhibition Hito Steyerl. Duty-Free Art, the screening series Digital Times, Feudal Times offers a chance to taker a deeper look at the work of Hito Steyerl, a pivotal figure in contemporary critical thought around images, technology and power.
Spanning 15, square feet of the museum, Get in the Game spotlights the influence of sports on contemporary culture. The exhibition brings together over works of art, design, interactive installations, and media related to the world of sports, including athletic fashion and gear, Formula 1 race car steering wheels, and a display of surfboards this is a California show, after all.
Scientia Sexualis is an ambitious group survey of contemporary artists whose works take up the fraught relationship between sex, gender, and science. Over the past twenty years, Clare Rojas b.
The exhibition takes its title from a poem of the same name, written by the Greek poet Emerson in New York City in The poem is part of Songs Without Music, a typewritten, and previously unpublished manuscript of poems and lyrics found in the archives of Greek photographer George Tourkovasilis. Both of these forms arrive at Crumpler as objects central to the story of capitalism and the global transport of goods.
Crumpler investigates how tulips and containers inform and deform the way we think about the long history of racialized capitalism. Crumpler invites us to attune our vision, to look as if searching for the clues that connect these forms to the dynamic and complex story of the Black radical tradition. The Crumpler Collection measures approximately 10 linear feet of physical material and 0. Proof is the first Barbara T. Smith's monograph documenting the full expanse of work dedicated to performance and publishing.
