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He received his diploma degree in philosophy from the Faculty of Philosophy of the University of Belgrade thesis: ''Wittgenstein on Private Language and Bodily Sensations''. He obtained his Ph. His research focuses on Anglophone modernism, narratology, analytic philosophy of literature, and Gothic studies. Address: Crna Gora, Montenegro less. Related Authors. Dylan Trigg Central European University.
David Seamon Kansas State University. Giulia Sissa Ucla. Emre San Istanbul 29 Mayis University. Alberto N. When we engage with fictions, we are, in effect, pretending to deal with reports of actual event After all, numerous fictional works are explicitly designed to facilitate this kind of pretense. This was the prevailing understanding of fiction in both analytic philosophy and classical narratology for decades. This issue can be referred to as the problem of unreportability.
The standard solution to this challenge has been to argue that fictions are not pretend reports, but rather direct authorial stipulations to imagine specific scenarios. This paper contends, however, that such an explanation fails to provide a satisfactory account of fiction. It seems that the internet aesthetic has undergone a peculiar change since the outbreak of the This transformation has been driven by the growing popularity of social media platforms that rely almost exclusively on video content.
After the long-awaited "death of postmodernism," there is now a noticeable inclination to excessively reuse certain cultural forms whose origin can be traced back to the Romantic era. This essay explores how Romantic aesthetic practices have unexpectedly reemerged in new digital media, especially in the last three years. Download Edit. This paper claims that genuine contradictions in fiction are far more infrequent phenomena than is usually claimed. However, it could be argued that the problem with such narratives is that they unsuccessfully attempt to perceptually code what remains exclusively propositional content.
